Archive for the ‘Jackie Kessler’ Category

The One with the Winner, the New Release & the Contest

Tuesday, September 7th, 2010

Dame Kaz

I am one heck of a stressed Dame today, so I’m afraid this will be short. But… The good news is: a couple of the other ladies have given me some stuff to post. Yay! It’s not so much that I don’t have time to post, it’s that I don’t have the brainpower to come up with a Real Post. You know?

The reason I’m stressed is because… OMG, I’m moving! Finally!!! Please picture me, right now, looking nothing like that smiley photo. Ha! I am running around packing and generally freaking out.

For now, then, I will pass on some news.

First of all, Dame Rachel would like to announce the winner of her ALPHA giveaway…

The randomly selected winner of one signed copy of Alpha is:

Amanda W., who wrote: I’m in the New England Pride With Nick Davidson as my Alpha.
So friggin’ excited for Alpha I can’t stand it!!!

Amanda, please email me (RachelATrachelvincentDOTcom) with your shipping information, and I’ll put your book in the mail!

And a big thanks to everyone who entered.


Next up is Dame Jackie who has a mass market paperback release to celebrate… (huzzah!)

Hotter than Hell by Jackie Kessler focuses on the hottest incubus on the paranormal block (imho): Daunuan. *fans self*

Here’s the blurb:

HOTTER THAN HELL
Hell on Earth, Book 3

The incubus Daunuan loves his job: seduce a lot of mortals, bring their souls to Hell, party at the best interdimensional pub this side of the Astral Plane. But when the King of Lust makes him an offer he can’t refuse, Daun has to give up all the tricks of his trade to properly befriend—and bed—Virginia Reed, a woman who’s meant for Heaven.

If he can get her to love him for the incubus he really is, and if he can avoid the rogue demons that are hell-bent on destroying him for reasons unknown, Daun will become the First Principal of Lust, second in line to the King. But Daun learns that love is more than a four-letter word, and that maybe, just maybe, demons really do have feelings after all…

You can read all about it – including an excerpt and links for where-to-buy – here on Jackie’s website.

Dame Jackie

In the meantime, she is kindly giving away one signed copy to a reader – anywhere in the world – and all you have to do is leave a comment on this entry telling us:

Who – or indeed what – do you find ‘hotter than hell’?

Comments will be closed end of the day Sunday, September 12th, and Dame Jackie will announce the winner when she posts next Tuesday.

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Should I Hire A Freelance Copy Editor?

Tuesday, August 31st, 2010

By Dame Jackie

We Dames like getting email, especially when it includes pictures of chocolate, or Matt Damon, or, best of all, Matt Damon AND chocolate. (Note: When I say “we Dames,” I am referring to me specifically; I can only assume the other Dames also enjoy chocolate. And Matt Damon.) One reader, Brandi, sent us the following:

“I’m looking for a Dames opinion on Copy Editing and Proofreading. Especially from a freelance type of perspective. I’ve tread the shallow end of the google pool on this and it makes me want to never read again. There’s just too much junk shoved up front of the search engine. Where should I start? What should I pay attention to?”

Brandi, I wasn’t sure if you were asking about becoming a freelance copy editor/proofreading, or if you should get the services of a freelance copy editor/proofreader. I’m going to tackle the “should I hire a freelance copy editor?” question.

(Note: I’m not talking about developmental editing/content editing, which focuses on the big picture. I’m not talking about book doctors, who provide a thorough analysis of a manuscript and suggest areas of improvement. Copy editing is all about grammar, punctuation, spelling and consistency; proofreading catches typos and other errors before a book goes to press.)

Question: Should I hire a freelance copy editor or proofreader?

My immediate reaction is “Hell, no.” But to be fair, I’ve been a professional copy chief for more than a dozen years, so let me temper that reaction, or at least explain it.

[Before anything else, a disclaimer: I used to be a freelance copy editor. I made it through two projects before I decided the freelancing life wasn't for me. And as I said above, I'm a copy chief for my day job, which means I manage the copy editing and proofreading for my company's magazine. All right, back to our regularly scheduled blog post...]

Words are a writer’s tools. They’re how we tell our stories. Without words, a writer is nothing. But like all tools, words are useless if we don’t possess the knowledge and skill needed to wield them. Every writer, whether first starting out or a multiple NY Times bestseller, needs to know how to string a sentence together. It’s simply inexcusable for an author not to know the basics of proper grammar.

“But Dame Jackie,” says my evil twin Skippy, “if that’s the case, why do commercial publishers provide a copy editor and a proofreader?”

Simple: Every story, no matter how well written, will have mistakes. A copy editor will catch most instances of grammatical errors and stylistic inconsistencies, and a proofreader will catch most of the errors that slipped through the cracks. Having a top-notch copy editor review your pre-published manuscript is crucial, as is having a proofreader sign off on the page proofs.

“All right,” Skippy says, “then why shouldn’t I hire a freelance copy editor to edit my work before I submit the manuscript to publishers?”

Because you still need to know the grammatical basics.

Here’s the thing: a manuscript needs to be as strong as possible before you submit it to agents or publishers for consideration. A story riddled with typos is probably going to be rejected out of hand, no matter how brilliant the actual story is. Part of your job, as a writer, is to know how to write a grammatically sound sentence and to spell words correctly. There are no short cuts here. I’m not saying your manuscript needs to be absolutely perfect in terms of grammar, consistency and style before you submit it — but it needs to be as perfect as you can make it.

Uh oh. Skippy’s getting agitated.

“But learning how to copy edit my own work is hard,” says Skippy.

Oh, and writing a good book is supposed to be easy? I didn’t know that.

“Can’t I just hire someone to do it for me?”

Sure. But be prepared to pay a lot of money for it.

“I’m willing to pay,” Skippy insists. “I don’t have the time to study the rules of grammar. I’m too busy writing my story.”

Your call, snowflake. I think it’s a waste of your money. If you don’t learn the basics of grammar, you’re always going to have to pay a freelance copy editor to review your manuscripts.

If you decide to become your own best copy editor — and I strongly recommend that you do — there are a number of terrific style guides you can use. The Chicago Manual of Style is one of the bibles of the publishing industry — and now it’s available online. I made my bones with the Gregg Reference Manual (also now available online). Other guides include Strunk & White’s The Elements of Style and the AP Stylebook (ditto online).

Of course, you can go ahead and hire a freelance copy editor. If you do, please make sure you’re completely clear on the fee and payment structure and the amount of time needed for the project. Caveat emptor.

The way I see it, mastering the basics of grammar isn’t optional, not if you’re serious about using words in your career. And once you know the rules, you can bend them as you see fit.

So take the time to read up on the punctuation staples, such as the comma, the colon and the semicolon. It can only help. Unless you’re on Twitter, in which case all bets are off. ;)

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My Path to Publication

Tuesday, August 17th, 2010

By Dame Jackie

As Devon said yesterday, for the next couple weeks, the Deadline Dames will be talking about how we started, where our paths led, and where we are now. No two writers have the same road to publication (if we did, a copyeditor would have caught that along the way and dinged us for repetition). Yesterday, Devon shared her 19-year path to publication. Today, it’s my turn. And so…drumroll, please…

My Path to Publication

When I was a kid, I knew exactly what I wanted to do with my life: draw comic books. And not Archies, either. Superhero comic books. I wanted to show the good guys bashing the bad guys into next week and getting the Key to the City for doing so. And by “good guys,” I mean gals, of course. My favorite superheroine for the longest time was Kitty Pryde — 13 and a half years old, Jewish, smart, funny, close with bad-boy Logan (Wolverine, yo) and crazy about bighearted Piotr (Colossus, rah!). For my bat mizvah, I drew a huge poster of Kitty Pryde for my sign-in board. And I got X-Men #94 – 100 in mint condition from my folks. (Best present EVER.) Yes, I was all about drawing. It was going to be my career.

Somewhere along the way (roughly, by the time I was in high school), I realized that it was just even more fun to put the words in the characters’ mouths. Sketches started turning into story ideas. I’d always enjoyed creative writing — my written assignments tended to be a few pages instead of a few paragraphs — but it wasn’t until I was a high school upperclassman that I took my first creative writing elective and tried my hand at a short story.

From that point on, I was hooked.

Starting in fall 1988, I was in college…and taking the first of what would be many creative writing workshops. That was a milestone year for me because I started writing the beginning of what I would later coin as my Great American Novel (GAN for short). For the next few years, I plugged away at the GAN and tried my hand at a few short stories.

And man, they were terrible. Awful. Horrific. Perhaps needless to say, none of these early attempts got published. Oh, I had close calls. One time in particular, I’d gotten word that my short story about a witch and her sister was going to be published…only to have that rescinded a few months later when the magazine got a new editorial board. Ouch.

** I am interrupting this blog post to give a random example of just how bad my early writing was.**

From page 50 of the GAN circa 1994 — all spelling and grammatical errors have been preserved:

Tur looked up suddenly, the book he had been pouring though slipping from his numb fingers. The perennial tickle in the back of his mind had blossomed abruptly, and as the sweet intoxication he was so familiar with and had been so long without washed over and through his body and mind and soul, he grinned, pulling loose flesh taut, his perpetual frown finally cracking and giving way.

And throughout the land and beyond, those that had pledged their very lives and more to him heard in their heads as their master cried his triumph to the weeping heavens:

“It has begun!”

** And now, back to our regularly scheduled blog post.**

So I worked on short stories and I plugged away at the GAN. I started my own writing workshop, and every Sunday, four of us “aspiring authors” (God, I hate that term) would critique one another’s writing, which had been handed out the week before. My proudest moment: one of the workshop members took first place in that quarter’s L. Ron Hubbard’s Writers of the Future Contest with a story he had workshopped with us. Later, when I moved back to New York, I joined the online group Critters.org. And I kept on writing.

Fast forward to 2003. This was the year that I was going to do the GAN right — I was going to rewrite it and this time, get an agent! See, I knew of such things because I had joined an online writers’ forum called Writers.Net. And I was feeling confident because I’d gotten a book review published in a French magazine (payment: one contributor copy). So I took all year and finished the newest rendition of the GAN. I remember sitting on the porch steps after I’d finished, and I smoked a cigarette to celebrate. (Stupid way to celebrate; I should have had chocolate.)

In January 2004, I began researching agents while I learned how to write (a very bad) query letter.

**Jackie’s Very Bad Query Letter (some names have changed to protect the innocent)**

Dear AGENT:

What if you held the magic of the world and didn’t know it? What if you couldn’t control it?

Tim and Kelly thought their biggest challenge was passing their midterms. But when they and their friends suddenly find themselves prisoners on a strange world, their college problems seem very small. These five students must discover which of them holds the Rock, the focus of the world’s magic, which had been stolen from its rightful owner. Of course, being hunted by a band of bloodthirsty warriors doesn’t do much for their stress level. Neither does the fact that they all possess magical abilities that they don’t understand and can’t control.

But their problems don’t end with returning the Rock to the proper ruler, whom they first have to find. They must avoid getting shanghaied by the reigning group of magicians, play nice to a rather whimsical godling, and try to figure out how to get back to their own reality, one where magic means catching David Blaine’s latest act.

All in all, they would rather be cramming for midterms.

BOOKTITLE, a novel of 120,000 words, is Book One of SERIES, a contemporary fantasy series. (Book Two, BOOK2TITLE, is already in the works.) I am confident that BOOKTITLE is a well-told, engaging story that focuses on a unique system of magic, including the price one must pay for wielding such power. I would be happy to send you the synopsis, chapter outlines, sample chapters — or, of course, the entire manuscript.

I am a senior editor and copy chief for COMPANY. Previously, I have written four articles for COMPANY’s internal magazine; my review of Stephen King’s The Eyes of the Dragon was published by Tenebres.

I look forward to hearing from you.

Regards,
Jacqueline Kessler

** Very Bad Query Letter ends**

Perhaps not surprisingly, I began collecting rejections. Tons of them.

But I kept writing. Yes, I made the mistake of constantly tweaking the GAN based on whatever feedback I could glean from form-letter rejections (“How do I make the agent fall in love with this? I know! I’ll merge these two characters and switch to close third person instead of omniscient narrator!”), but I also was writing short stories. Lots of short stories. I was aiming for one new story a week, basically to see if I could do it. I joined a small, closed-to-the-public online SF/F writers workshop, which helped save my sanity. I left Writers.Net and joined the newly formed Backspace, an online writer forum, where I learned a lot about the publishing industry and how to start thinking about my writing not as art but as a potential career. And I collected short-story rejections along with the agent rejections. By fall 2004, I was nearly convinced that I would never get published.

And then in November 2004, I received my first “yes.” It was from Peridot Books, an online magazine, which was going to publish my short story “Guilty Pleasures” in winter 2005. Oh my God, I didn’t completely suck! Hooray!!!

That being said, by January 2005, I was morose. Triple-digit rejections will do that to a person. Why was no one taking a chance on me? Why wouldn’t agents even consent to read the full manuscript? Maybe I really did suck after all. This was when Loving Husband somehow convinced me to try writing a completely different novel rather than keep rewriting the GAN.

** Random excerpt from The Second Book I Ever Wrote **

I carefully removed a sleeveless, black rubber dress from a cardboard box, then unfolded it, shaking off a few desperate Styrofoam peanuts. Giving the dress the once over, I decided that except for it being short enough to see if the wearer needed a shave — and I don’t mean the armpits — it looked harmless. I placed it against my body, pointedly ignoring how my hips and thighs protruded behind the material. (It was 9:30 on a Wednesday morning; I wasn’t scheduled for a reality check until after lunch.)

Raising the dress up a bit, I tried to stretch the straps, picturing how the top part of me would look covered in PVC rubber. Although my breasts are more than a handful, my cup doesn’t exactly runneth over. So I was surprised to see that no matter how I angled the dress, or pulled the material, it wouldn’t begin to cover more than about an inch of each breast. June would definitely be busting out all over if I tried to wear something like this.

I scanned the label and bit back a laugh. ONE SIZE FITS ALL, the tag promised. Yeah, right. All size zeros, if they stop eating for a week, maybe.

** excerpt ends**

Around this time, I joined another online writing workshop. One of the members was an editor at Wild Child Publishing, an online magazine. Later in 2005, I would become the Fantasy acquisitions editor for WCP. Before that, WCP published my first (and only) poem as well as my first (and only) contemporary short story. I also scored another short story sale to Byzarium, and then one to From The Asylum. I also attended the first Backspace Conference, which was my first-ever writer conference, eek! As terrified as I was, it was truly wonderful getting to meet other writers, both published and aspiring to be published, and pitch agents (without vomiting during the process). I finished writing the second novel and started querying for agents.

**Jackie’s Query Letter for Book #2**

Dear AGENT:

I was very pleased to see your listing on AgentQuery.com, which indicated you represent chick lit. I am looking for representation for my 80,000-word novel, BOOK NUMBER TWO.

Would you work for a man who introduces himself as “Charles or Judy, darling–it’s all the same to me”? Lee Segal doesn’t have a choice. It’s her own fault; she shouldn’t have waited two weeks before graduating college to decide not to return home to her overbearing mother in New York City. In a pinch, she becomes the new stock girl at Charles’ Apparels, a clothing shop in Chester, Massachusetts, that everyone knows also sells sex toys. So maybe she can’t put the job on her resume. At least it pays the bills. And it promises to be…interesting. Almost as good as getting a job is getting a boyfriend, which Lee does. At first, Noel seems to be the man of her dreams. But as time goes on, Lee comes to realize that there’s less to Noel than she first thought.

BOOK NUMBER TWO is an 80,000-word chick-lit novel about love, relationships, and the American Wet Dream.

I am the senior editor of a business management journal. My work has been published in PERIDOT BOOKS and TENEBRES, and humorous horror (yes, really) story has been accepted for publication in FROM THE ASYLUM.

Would you be interested in reading BOOK NUMBER TWO?

Best wishes,
Jackie Kessler

**Query Letter ends**

I did much better with this query and this manuscript. (Yes, writing query letters is a skill authors have to master. You can read this for more about query letters.) Still no offers of representation, but hardly any of the rejection letters were form letters. Moving on up! Except I was still convinced that I sucked.

One of the things I did religiously starting back in 2004 was to scan Media Bistro — especially the Avant Guild section, which included agent and editor interviews. (I also kept tabs of current deals thanks to Publishers Marketplace.) During the summer of 2005, I came across an editor interview in which the editor suggested that “magical chick lit” would be the next big thing.

And I thought, “God damn it, I can do that!”

So I dropped everything (read: obsessing over every form letter rejection for the GAN and sending out new queries for Book Number Two) and started writing a book about a succubus who’d run away from Hell, hidden on Earth as an exotic dancer, and learned the hard way about true love. Sex, strippers, demons…what’s not to like? I wrote Hell’s Belles in two months.

And got five offers of representation. And then got a three-book deal the week after I’d signed with my agent. This was December 2005. After so many years of “No,” this was a whirlwind. I think I was lightheaded for most of 2006.

Hell’s Belles was published in January 2007, and The Road to Hell in November 2007. That was right around the time I parted ways with my former agent, and then signed with Agent M. Hotter Than Hell came out in August 2008. Black and White in 2009. Shades of Gray in 2010. Also coming in 2010: my debut young-adult novel, Hunger, which I never would have written if not for Agent M’s ginormous enthusiasm. Rage will come out in spring 2011. Four Hell short stories will also appear in 2011.I’m currently writing Loss.

Whew.

I’m not in either of the writing groups anymore, nor am I freelancing as the WCP Fantasy editor. Just too busy. I’m also not part of Writers.Net or Backspace anymore. I do check in at Absolute Write every once in a while. I had been an active member in my local RWA chapter, but sadly, no more. However, I have my beloved Crit Partner, my faithful Beta Reader, and, of course, the Deadline Dames, all of whom provide reality checks, kicks in the ass, hugs, and chocolate, depending on what’s needed.

So that’s my path to publication. The big lessons here are…

1. Never Give Up. If you do, you definitely won’t get published.

2. Don’t Be Afraid To Try Something New. If you don’t experiment, how do you know where your strengths are?

3. Keep Writing. Because hey, that novel you’ve trunked because it really was Just Plain Awful? You might give it another shot one day. And maybe that next version is the one that finally piques an agent’s interest.

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Is It Burnout Or Is It An Elusive Beginning?

Tuesday, August 3rd, 2010

By Dame Jackie

I’m lucky that Loss isn’t due for a while, because right now I am on draft #5 and am nowhere closer to done. Oh, it’s not like I have five completely written manuscripts; I have five very different beginnings, up through chapter two. And that’s it.

I hear it now, from the wings: “Just write through it,” or “Come back to it later.”

But I can’t. Not at the beginning of this novel. See, this one plays with memory as well as other things, and I have to have the beginning firmly established before I can move on. Sure, there are plenty of times when I can put a placeholder in an entire chapter — when I was writing Hotter Than Hell, for example, the Mozart chapter was simply that, “The Mozart Chapter Here,” until I was emotionally ready to come back to that part of the book and write it. I knew exactly what was going to happen, but I needed to be in the right place to write those particular scenes.

Not so at the beginning of a novel — particularly not for Loss, when I’m first really learning about who the main character is. (Of course, this is true for me; other writers may have a different feeling about beginnings.)

The process so far went something like this:

In draft #1 (a prologue and part of chapter 1), we meet two of the main characters (one of which has a different name), and while the action is intense in chapter 1, reaction is glossed over. Too sparse; not hitting the mark. Next.

Draft #2 is very similar, but chapter 1 is slightly expanded. Everything stops at the same point in draft #1; can’t go any further. Something’s not right, but I’m not sure what. Time to reevaluate.

A-ha. Draft #3 introduces a new character — one that readers of earlier books will recognize. No prologue this time. Chapter 1 gets filled out, and something that had been missing is now reading much better…but again, I’m hitting that same damn stopping point. Crap. Still not working. Okay, time for something different.

Draft #4 is completely different — chapter 1 now kicks serious ass, and chapter 2 is emotionally wrenching. But but but…damn it, it’s still not right. It’s way too soon for what happens in chapter 2; readers aren’t invested enough in the main character. Argh! **hits head on desk**

At this point, I had a brainstorming session with my friend Diana Rowland when we were at ComicCon. She asked me some pertinent questions, and offered some suggestions and some from-the-hip criticism. And boom, things got…well, not crystal clear, but certainly less murky. I returned to the hotel room and banged out notes about the book, the structure, issues to tackle…and then I sketched a very light chapter outline of part 1. Which later led me to…

Draft #5. Prologue from earlier versions has returned, as has a modified version of draft #3′s chapter 1. Okay, almost there. Maybe. Because starting tonight, I will be up to…

Draft #6. After thinking things through, I’m going to delete the prologue and keep going with chapter 1, and completely change direction so that I never hit that same stopping point. Thanks to my spiffy outline, I know where to take chapter 1. Maybe, after I delete the prologue, chapter 1 will read better, and I’ll be able to move from there. God, I hope so.

It’s distinctly possible that I’m simply burned out. From September 2009 through the end of April 2010, I’ve written:

2 short comic book scripts (“Carpe Noctem, parts 1 and 2″)

1 YA novel (Rage, not counting the prologue and first three chapters, which had been previously written)

1 charity novella (“Hell’s Angel”)

3 Hell short stories (“Where We Are Is Hell,” “Hell’s Fury” and “To Hell With Love”)

And I’ve also done page proofs for another YA novel (Hunger) and copy edits for that second novel (Rage). That, my friends, is a lot of work — especially considering I also have a full-time day job. Whew. It’s not burnout, no…but I probably did need this time to let my batteries recharge. Other than the starting/stopping of Loss and an attempt at a new middle-grade project that I’ve since put on the back burner, I’ve done no other writing for three months.

Well, I look at it like this: the soup’s got to simmer for a while, right? So all this starting and stopping and starting again is just letting other parts of Loss heat up. Heck, I already know exactly how the book will end, down to the last line, and there’s another scene that I can picture so clearly it’s like the scene has already been written in my mind. And hopefully, when I sit down to write tonight, the words will flow.

If not…there’s always draft #7.

What do you do when you can’t find the right beginning?

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Balance: Not Just For Wearing Heels

Tuesday, July 20th, 2010

By Dame Jackie

As you know, Bob, the Dames are answering reader questions. Rah! So if you have a question, please go ahead and ask it in the comments section, or email the Dames via our spiffy email address posted in the sidebar.

Beth E. asked a question near and dear to my heart:

How how how do you balance life with kids and writing? I find I’m mapping out most scenes in my head all day long while I’m taking care of the kids and then writing until the wee hours of the morning only to get up and do it all again the next day. Or I just get too tired and the scenes get lost in my brain.

Should I put this dream on hold for a while (until my daughter is in school or until my son is two)? Is it at all reasonable to make time to write when you have a 4yr old and a 7 month old?

I feel like I’m not taking care of my kids properly, not to mention dishes and laundry, when I spend more than an hour or two writing. But how am I going to get better if I’m not spending three or four hours of my day writing or reading up on how to write better?

Thanks Dames!

And InkGypsy replied:

I’m struggling with that too. Found do best when make goals REALLY small so can manage ‘something’ (even just a few lines’) daily. Builds up quickly and you make headway toward your goal when kids small – + they see you taking your writing seriously and identify you as ‘writer’. Plus they give you ideas if they know you’re looking. Even my three year old tries to help out with story ideas (it’s the anecdotal stuff that is the most useful but it’s adorable and a good sign that he gives input).

Ah, the writer/parent balance. Makes sprinting in five-inch heels look easy.

Here’s my situation: I have two children, ages nine and seven. I also have a husband, a geriatric cat, a mortgage, and a full-time day job. And I have my writing (currently have two novels I’m working on) and the promotion that goes along with the writing (I am so far behind on interviews that there ought to be a new word created to describe just how far behind I am).

For a while, I was managing it all quite nicely. I’d get up early to get stuff ready for the day, I’d get the kids and husband off to school/camp/work and then would do my day job, and then I’d pick up the kids, get dinner going, do evening/bedtime routine with the kids and hang with the husband. And then I’d do my writing. I was getting to sleep around 1 am, and up for the day by 6. It was working well.

Until I got horribly sick.

Yeah, I finally understood what people meant when they said they were so tired that they couldn’t move. For three weeks, that was me. After that point, I cut back on some of my promotional stuff and stopped trying to sprint to the writing finish line.

For a while, that worked. And then I got busy again. And I wound up getting sick again. So I rested and vowed to cut back. Lather, rinse, repeat.

Folks, don’t do it my way. Even as I type this, I’m promising myself that I’m going to slow down, and that it’s okay if I don’t meet my unreasonable goals. And I have a sinking suspicion that August is going to be filled with me staying up waaaaaaaaaay too late as I frantically write LOSS. (Maybe I should change the title to SLEEP DEPRIVATION.) Every writer does it differently. What works for one person may not for another.

But sometimes, what works for one DOES work for another. And so, there are some truths that you have to accept if you’re a writer and you’re a parent. Ready?

Truth #1: Writing is a job. Yes, just like a job you’d go to the office to do. Just like a job that takes commitment and time. That means you’re not going to be running errands while you’re writing. Or doing the laundry. Or cleaning up the house. Or making dinner. Accept the fact that writing takes time out of your day, and that means other things will be pushed aside. Like laundry and dishes.

Tactic #1: Plan chores and errands around writing breaks. Just like you get a lunch hour and bathroom/water cooler breaks at the day job, you should take breaks from writing — and that’s when you can throw in a load of laundry, or tackle the dishes. Will you get everything done? Hell, no. Accept that now, and instead of berating yourself for the little you’ve accomplished, congratulate yourself on figuring out how to squeeze in some chores and errands in your busy day.

Truth #2: Other people may not take you seriously. This is highly unfortunate, but it happens to almost everyone I know. It happened to me, well until my second book hit the shelf. Simply put, most people won’t believe you when you say that you’re busy because you’re writing. They will still think you can chat on the phone for 30 minutes, or do “just one errand” or some such thing, even though you’re busy. Maybe it’s because you don’t have a physical product to show for your effort yet — or, more specifically, a physical product that those other folks can hold in their hands. Maybe it’s jealousy. Maybe it’s spite. Maybe it’s honest disbelief. But for whatever the reason, be prepared to meet resistance — including from your family.

Now, you could have the most supportive family in the world. I hope you do. I certainly do. But even so, it’s tough for them to understand that you didn’t have time to pick up the dry cleaning or to take Junior on that play date because you were typing your fingers raw for an hour. There’s a good chance they see your writing as a hobby, one that you’re supposed to do only during your spare time.

Tactic #2: Stand firm. If someone calls during your writing time, either don’t answer the phone or allow yourself only two minutes on the phone. When people scoff or don’t take your writing seriously, try not to get flustered. You’re working toward your goal. Be proud of yourself, even in the face of scorn. And when you have to vent, come to a place like the Deadline Dames and vent. We’ve been there. Some of us are still there. We understand. And we support you.

Truth #3: You’re going to feel like a lousy parent. Every time you don’t play with your poppet because you’re in front of the computer working on a scene, you’re going to berate yourself. Every time you don’t spend all day with your kids doing kid-centric fun-yet-educational things because you were working on your book, you’re going to feel like crap. Every time you say “no” to chaperoning a field trip or visiting a class party or baking cookies for that PTA event, you’re going to feel guilty.

Tactic #3: Remind yourself about Truth #1. Writing is a job, period. If you were working at the office full-time, would you be able to take Junior to the park for three hours? Or visit the school for the holiday party? Not every time, no. Pick the one or two things you dearly want to do with or for your kids and plan accordingly — on those days, for example, don’t run the extra errand in the afternoon while Junior is napping in the car seat. Instead, put Junior to bed and take the time to write. Run the errand that night when your SO is home OR put the errand off until the next day.

And as you struggle with Truth #3, keep in mind Truth #2. This isn’t going to be easy. But then, it never is. Any time we choose to do something for ourselves instead of for our children — say, like going back to work when Junior is six weeks old — we’re probably going to feel horrible about it. When Tax Deduction the Younger was 12 weeks old, I went back to work full-time. And it took me years to stop hating myself about it.

And that was before I got serious about writing.

When Tax Deduction the Younger was in preschool, one of the class teachers tried to bully me into chaperoning a field trip. First I said I couldn’t be cause I was working. She replied, “This is why I’m telling you two weeks early, so you can get time off.” And I responded: “I have two full-time jobs along with being a parent. I can’t take time off for your field trip.” It’s possible I growled instead of spoke calmly — because let’s face it, it struck a nerve. But at least the teacher backed off.

Truth #4: It’s going to take time to find what works. Maybe you’ll get lucky and will find a routine right away that allows you to be productive and still take care of the kids/house/other responsibilities. But chances are, “trial and error” will be your motto for a while. Allow yourself that all-important learning curve. You’re going to make mistakes. That’s OK. If this were easy, I’d be a lot less stressed.

Tactic #4: Use what you’ve got. Are your kids home with you all day and are too little to entertain themselves for a period of time? Plan quiet-time activities that will occupy your kids and give you some writing time. Just being in the same room can do wonders for both of you — Junior can color and make art projects while you write on your computer. And while the television isn’t a babysitter, it sure is a good opportunity to have Junior watch something fun for 30 – 60 minutes or so while you hammer out a scene. If your kids are old enough for play dates, take advantage of that time to get some writing done while the house is quiet (and be prepared to reciprocate the play date).

There are other Truths and corresponding Tactics out there. But these are the big ones that I’ve found over the years. Talk about Truth #3 — whenever I go away on a convention, by day three I’m feeling like the worst parent ever, even though I make sure to call first thing in the morning (even when I’m in a different time zone) so I can wish my kids a terrific day and then call them again before they go to bed and then call my husband before he goes to bed. But you know what? My kids have accepted that I go away on trips…and I always come home. Usually with goodies. (You should see the list of things I have on the agenda for Comic Con.)

So give yourself a hug and be proud of yourself for trying to find the writing/parenting balance. It can be precarious at times. And there are times when we stumble. But we can do it, even when it feels like we’re teetering.

And remember, when you fall, the Dames are here to help you find that balance again.

What other writing/parenting Truths and Tactics have you learned along the way?

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