Posts Tagged ‘Lilith Saintcrow’

From Draft to Dream (and a list of upcoming releases)

Monday, July 19th, 2010

by Dame Devon

The Dame readers have asked great questions over the last couple days. Please keep those questions coming! We might not get to it today, but we’ll try to pull questions and dedicate a full post to them, or answer questions in the comments. Feel free to ask us here on the site, or send us an email to the address, right over there on the right column. No question is too large/small/silly/serious, so ask away!

Today’s questions:
Amy R. asks: “When you’re writing your first draft, and it doesn’t seem like it’s matching up with that you have in your head, how do you keep from deleting it or throwing it out?”

Wonderful question, Amy! There are probably as many answers for this as there are writers. Here are eight tips:
1. Walk away. When a draft is so frustrating that all you want to do is throw it across the room, it’s time to step away from the keyboard.
2. Save the file. Even if you think it’s garbage. You never know when you’ll want to go back and ressurrect the story, or maybe dip in and steal a character or a descriptive line.
3.Come back to it in a couple days, a week, a month. You might see the good amidst the cringe-worthy and be able to roll up your sleeves and get the story going again.
4. Get an outside opinion. Sometimes the author is the least capable person on the planet to make an accurate judgement call on the quality of their prose.
5. Try again. If the story is so far off from what you want it to be, save it and start fresh. Focus on the core of the story–the spark of wonder that made you want to write it–and write until you feel you have your feet under you again.
6. Accept that your story probably never will live up to your vision. It is common for writers to feel they have yet to write something that matches the vision, emotion, scope and quality of what they had in mind for it. There will always be a slight dream-like disconnect between our imagining brain’s vision, and our writing brain’s power to express that vision with words. It is what makes us strive to improve no matter how long we have been writing.
7. Finish the story to discover the story. You can’t fully know what the story is until you write The End. At that point, you can look from beginning to end, and see what the story wanted to say, what it wanted to become. Maybe it’s exactly what you had in mind. Maybe it’s wildly different.
8. Keep trying. Keep writing. Keep going. Trying and failing and trying again isn’t bad. It’s the way we become intimate with story, our writing process, and the struts and trusses our dreams are built upon. Remember:It’s the writing that teaches you.” –Isaac Asimov

And the second question from Jess: When are your next releases? (All of you.)

Great question, Jess, thanks for asking!  Here’s a fairly comprehensive list of what the Dames have cooking:

Upcoming Releases (as of July 2010)

Keri Arthur
MERCY BURNS –    May 2011
Debut novel (Dark Angels series)   -   August 2011

Toni Andrews/Virginia Reede
Book 3 (Carnal Magic) by Virgina Reede   – 2010
Nocturne novel (Mercy Hollings 4)   –   2011
“Nativitas” THE MAMMOTH BOOK OF FUTURISTIC ROMANCE   –   2011

Jenna Black

SHADOWSPELL (Faeriewalker 2)   –   January 4, 2011
DARK DESCENDANT (new adult urban fantasy series, Pocket Books)   –   April 26, 2011
“Nine-tenths of the Law”(Morgan Kingsley, urban fantasy anthology, TOR Books)   –   May 2011

Jackie Kessler
HOTTER THAN HELL mass-market paperback   –   September 2010
HUNGER (The Horsemen of the Apocalypse/Riders’ Quartet)   –   October 18, 2010
“To Hell With Love” THE MAMMOTH BOOK OF PARANORMAL ROMANCE 2   –   winter 2010/2011
“Hell Bound” THOSE WHO FIGHT MONSTERS   –   March 2011
RAGE (The Horsemen of the Apocalypse/Riders’ Quartet)   –   spring 2011
“Hell’s Fury” THE MAMMOTH BOOK OF HOT ROMANCE   –   spring 2011
“Where We Are Is Hell” AFTER HOURS: TALES FROM THE UR-BAR   –   spring 2011

Karen Mahoney
“The Spirit Jar” (Moth 2)  KISS ME DEADLY   –   August 3, 2010
“Dear Diary…” essay -  WELCOME TO MYSTIC FALLS (anthology devoted to The Vampire Diaries) – October 2010
THE IRON WITCH –   February 1, 2011

Devon Monk
A CUP OF NORMAL (short story collection)   –   September 2010
MAGIC AT THE GATE (Allie Beckstrom 5)   –   November 2010
MAGIC ON THE HUNT (Allie Beckstrom 6)   –   April 2011
DEAD IRON (The Age of Steam 1)   –   July 2011

Lilith Saintcrow
JEALOUSY (Strange Angels 3)   –   July 29, 2010
HEAVEN’S SPITE (Jill Kismet 5)   –   November 2010

Rachel Vincent
“Fearless” KISS ME DEADLY   –   August 3, 2010
ALPHA (Shifters 6)   –   September 28, 2010
Untitled (Tod’s) online novella   –   December 1, 2010
MY SOUL TO STEAL (Soul Screamers 4)   –   January 1, 2011
IF I DIE (Soul Screamers 5)   –   June 1, 2011
Debut novel (untitled adult series)   –   September 1, 2011 (date tentative)
“Hunt ” (urban fantasy anthology, TOR Books)   –   May 2011

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If I’d Listened…

Friday, November 27th, 2009

Dame Lili

Dame Lili

First of all, we have a winner in the contest for a signed Flesh Circus! Random.org helped me pick a comment number. The winner is comment #11, kara-karina! Kara-karina, drop me an email with your snail mail address and I’ll send you a signed, personalized copy of Jill’s latest adventure.

Also, I am over at SciFiGuy’s place today, with an interview and a chance to win a copy of Betrayals. I will be answering questions in the comments all day. Come on by and say hello! Plus, I’ll be at the Cedar Hills Crossing Powell’s this Sunday for the SF/F Authorfest. Come by and see me, fellow Dame Devon Monk, Barb & JC Hendee, and a bunch of other cool people, including the 501st Cloud City Garrison (Vader’s Fist). Good times will be had by all.

And now, my dears, for my Friday writing post. Are you all settled in with a tasty sandwich and frosty beverage? Good enough.

If I’d listened, none of this would have happened.

You see, I grew up being told that I was a quitter. That I never finished anything, that I had no discipline. I was told that I had my head in the clouds, that I was unreliable, that I might be booksmart but I would never be smart in any other way. I was just too dreamy. I always took the easy way out.

Part of the work I’ve been doing on myself lately has been taking a look at some of those core assumptions I was raised with. A big core belief is that I’m unlovable. Only slightly less huge is the belief that I’m a quitter, that all my success has been a fluke and that I have to live in constant fear of being exposed as, well, a fake.

I may know intellectually that this makes no sense. But the real work comes in when it’s time to change that sick heart-thumping feeling of danger, the feeling that you might be found out at any moment, that you are an imposter in a world of Real People.

I have two beautiful children I’m raising mostly-alone. I am making a living by writing, not the easiest task. I have over twenty books out. And just this week my editor at Razorbill called and told me Betrayals made the Times list for Children’s Paperback Fiction.

It was about twenty minutes later, when I was squeeing on the phone with my agent, that the ugly core belief came out.

“Do they ever make a mistake?” I asked her, anxiously. “I mean, will they find out they’ve been wrong and take it away? Does that happen?”

She reassured me that no, it did not happen, and we went back to squeeing. But later, after I hung up the phone, I wondered why I’d even thought that. It’s the New York Times list, for Christ’s sake. Why could I not accept and believe that I’d worked my ass off, day in and day out, and might deserve some part of the honor?

Because of that core belief that I’m a quitter. It was said to me so often for the first twenty-odd years of my life that I’ve ended up internalizing it, believing it–and it taints even the best news a writer could hope for with the sullen, gut-clenching feeling of being a faker.

But there’s hope. (There’s always hope.)

I pretty much accepted failure was going to be part of my professional life when I set out to get published. Rejection and failure happen every day, and sometimes multiple times a day for a writer. But total failure wasn’t an option. I decided to keep writing until someone, somewhere, liked what I did and offered to publish it. Sooner or later, I reasoned, if I kept working at it, I’d get on somewhere.

Lo and behold, it happened. I got my first break, and I kept writing. I networked like a mad bastard and kept writing. I got an agent and I kept writing. I got my first New York publishing contract and I kept writing. Other contracts followed and I kept writing. Foreign rights, requests for short stories, requests for other books followed–and I kept writing.

Do you sense a theme here?

The thing about challenging a core belief is that it requires that you take a look at the empirical evidence, not just how you feel. I am supporting myself and my kids with words I pull out of thin air. I do my best to hold up my end of the bargain with my Readers–to tell the truth–and you, my dear Readers, respond.

I made an effing NYT Bestseller List, for God’s sake. This is not something you get just by sitting back and smelling roses. It took hard work and a refusal to quit.

That refusal to quit makes me not a quitter. It means whenever that nasty little voice speaks up inside my head I can meet it with evidence in the real world that I am measuring myself by a broken yardstick. That’s the first step to replacing the yardstick with one that works–and not so incidentally, one that won’t stab me in the heart every time I’m down and a little low.

If I’d listened just to that voice, though, this would never have happened. I would never have even gotten published the first time. I would have quit when I got my fiftieth rejection slip, or even earlier.

Some part of me must have known it wasn’t true. Some part of me set its shoulders, lifted its chin, and said to hell with you and what you think, this is what I’m doing. That part is the real me, and it deserves to come out into the sunshine. This is the first jackhammer I’m going to take to that edifice of the core belief. I’m going to break that f!cker up and turn it into rubble, and build something better.

If I had listened, I would have stopped before I got published. If I’d listened, I would have stopped before I got an agent. If I’d listened, I would have stopped and accepted defeat years ago. I did not. I kept going, even while believing myself a “quitter” down in the secret chambers of my heart.

How’s that for crazy?

So, my dear fellow writers (and Readers), let me tell you this. You are not what other people tell you. You are not what other people say. You are what you do. Don’t stop. Don’t give up. Get that jackhammer, get that wrecking ball, and start the process of being kind to yourself by chipping away at those voices in your head that judge you and tell you you’re Worth Less. Look at what you’ve done so far. Imagine, if you’ve done all this while believing those awful things about yourself, what could you do if you were not chained? How awesome would that be?

It’s not easy work. But, as my sister once so memorably said, “They call it life because it’s hard.”

I won’t give up. And if I can refuse to give up, so can you. Let’s go kick some ass, you and me.

Over and out.

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The Mystery of Steel

Friday, November 20th, 2009

Dame Lili

Dame Lili

First, the updates: there’s the Bitten By Books interview with me, where I answered a ton of questions. I had a great time. Go check them out! Plus there’s a new interview with Tanith Lee, my all-time favorite author. And, in case you haven’t heard, here’s the SFWA’s statement on Harlequin’s proposed vanity press imprint.(Ilona Andrews has a link roundup about this.)

My writing post is very short and simple today, mostly because I am working under a severe time crunch.

Last night I went outside. It was warm and windy, little spatters of rain. I was standing in my driveway, thinking about things, when all of a sudden…it was like a weight lifted and I knew I was going to be OK. Way down deep, in the nonphysical (but still in-my-body) core of me, there’s a band of steel. It can get beat up, heated red hot, ground at, and bent, but it’s always there. And it just gets stronger.

Writing has taught me a lot about that steel. One of Jill Kismet’s most admirable (or maddening) qualities is that she doesn’t know when to give up. Quit is so not in her dictionary. I like that about her, even if other aspects of her personality infuriate me. (I do not often like my characters. I don’t have to–I just have to write them.) Dante Valentine endures whatever the world throws at her, and struggles to endure on her own terms. Many of my characters have that core of resiliency, of inner strength. Finding it in a character helps me find it in myself.

I think everyone has some steel in them. Some more, some less, but everyone has some. The trick is, when everything is whirling around you like a snowglobe full of razorblades, to find the stillness, the strong space inside you. No matter how battered I get, that steel is there. Sometimes it cuts deep, but when I need something other than my spine to carry me, well, it takes up the job.

Being reduced to your steel is an uncomfortable experience. You may find yourself rejected for publication so many times you wonder if it’s worth carrying on. You may find yourself in much worse situations where you wonder if it’s worth surviving at all. The steel doesn’t count the cost and it doesn’t care about what you think you can do. It’s a tiny piece of irreducible grit we’re all built around. We’re pearls, but at the heart of each pearl is that harsh speck of irritation.

I just finished Kage Baker’s Empress of Mars. It’s about a woman who has that steel. Several times things would be easier if Mary just quit. But she’s staked her claim, dammit, and nobody is going to make her back down or give up. It hurts, it’s goddamn uncomfortable sometimes, but that steel is a gift from the gods. When you cannot rely on anything else, if you can find your core it can and will carry you through.

I’ve been thinking a lot lately about my own steel. I was wondering if it had vanished, burned or melted away. I was wondering if I was ever going to feel strong again.

Last night, with the wind pushing wet dry leaves and warm rain spattering down, I felt that slender core of strength inside me. Sometimes it does cut, worse than anyone else’s words or actions could. I’ll take it, even if it does. When it comes right down to it, that steel has seen me through much worse than a broken (and mending) heart.

I’m just glad I found it again. Of course, it needs to be used responsibly, because even a healer’s knife can cut…

…but that’s another blog post.

Keep writing.

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WANTED: Writing Tips for Stressed NaNoers

Tuesday, November 17th, 2009
Dame Kaz

Dame Kaz

I know that a lot of you guys are busy with NaNo right now, so maybe you don’t have much time to stop and read a blog post by Yours Truly. But! How about if that blog post offers up some writing tips? And how about we all throw some into the mix, and then I draw a random comment from all the wonderful writing tips we’ll collect here… and that person will win a copy of this:

betrayals

Yes, that’s Dame Lili’s second YA book, Betrayals, which just so happens to have its official release date today. I loved the first book in the series and can’t wait to find out what happens to Dru! :)

Closing date for comments is the end of the day on Friday (Dame Lili’s day over here), and I’ll announce the winner sometime over the weekend. Oh, and I think Dame Lili will be celebrating her release with a giveaway of her own then, so stay tuned.

So, onto my tip – and this is something that has helped me before when I’m halfway through a first draft and feeling a little… stuck:

coffee.jpg

Try writing the back cover copy for your book. Not only is it a fun exercise but it can really help you to regain your focus. Maybe you’ve been writing madly for 16 days, only to find you’re struggling to push over the hurdle of Day 17? So grab a coffee and a notebook (um… the coffee is optional for some, but not for me! *g*) and brainstorm the back cover copy for the story you’re trying to tell. It’s so easy to get lost part way through a project when you’re writing quickly; as an organic writer, I totally understand this. But if you can write a paragraph or two that encapsulates the heart of your story, you might be able to get back on track. Remember to use the same tone in your blurb that you’ve been using throughout your book, and make sure that whatever you come up with addresses the big issue or question that your characters are facing.

Now it’s your turn! Offer up a tip for struggling NaNoers – those brave souls – and I’ll put your name into the hat for Lili’s book. (Quick admin note: The copy of BETRAYALS I send out will be the UK edition, but it has the same cover and content. The giveaway is open to all.)

If you’re not a writer, never fear! Anyone can enter, just leave some encouragement for people currently slogging through 50,000 words in 30 days and you’re in.

Happy Release Day, Lili!!

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Writing Can Save Your Life

Friday, November 6th, 2009

Dame Lili

Dame Lili

Today’s writing post is another oldie–from April 27, 2007. For various reasons, once I reread it this morning I started crying. I still believe, very strongly, that art saves lives. I have made it through two marriages now, and the Infamous Vampire Novel I refer to below has been sorta-published. But I still hold to everything I say here.

At my blog today I wrote about how deciding not to engage can save one’s life. Here, because I am feeling both introspective and ambitious, I want to talk about writing saving one’s life. Really, any art can save you, but writing’s what I know. So here goes.

I got my first intimation of the power of art while I was a teenager. I was dating a man seven years my senior, who had a taste for very young girls and using his fists on the same. Yes, I was stupid–but what fourteen-year-old isn’t? I had no means of measuring the threat this predator represented, and I had no other benchmark for affection other than abuse. As a matter of fact, the kid my own age I dated before that was so nice I got nervous and broke it off with him, because he didn’t hit me. It just didn’t feel right if someone wasn’t whaling on me.

So there I was, getting it from both ends, and I discovered alcohol. I’m sure I was drunk through most of my junior-high and high-school. I still pulled a respectable GPA–academics were, at that point, still a fun game for me and I have never lost my taste for learning. But I was desperate. There was literally nowhere I could turn. I had grown used to keeping secrets by then, and staying on top of this pile of things I couldn’t talk about was wearying, to say the least.

This was also the time I was reading (please don’t laugh) Uncanny X-Men. A LOT. Especially when Claremont was writing and Lee was drawing. The idea of being a mutant, with these fantastical powers and loneliness, was very appealing.

So I did what any redblooded junior writer would.

I started writing fanfic in spiral notebooks. Obsessively. I even cut back on the drinking so I had more time to write. It started out so innocently, a story about Wolverine and a mysterious assassin who seemed to heal just as fast as he did. Then there was the Colossus-Storm mix, because I thought Forge was a wimp and Ororo deserved someone nice. Then I started interjecting my own characters–Mary Sues and Gary Stus, to be sure, but they felt good at the time.

Things crept into my writing. Descriptions of punches I’d recorded in my diary, things I noticed about the world, snippets of conversation I’d heard. I cut back on the drinking even more to have more time to write. I wrote in the bathroom in the middle of the night, my heart in my mouth, sneaking out of my boyfriend’s parties to write on the porch, hiding my notebooks in my locker because my mother went through my diaries at home once or twice and administered a whuppin’ because of what she found.

The writing was always there. I could take almost anything because I was thinking, when I get by myself I’ll write about this. Fixing my attention on that was a disassociative trick to be sure, but it worked. It gave me a future to look forward to.

Eventually, the fanfic stories grew thin. I wanted other characters, I wanted other settings. I had this idea for a book…a fantasy book. And with my heart in my mouth, I tried writing it. Took me years. And I started not writing the X-Men stuff so much, and started writing other little slushy snippets of things. Here and there. Bit by bit.

I moved away from home and in with another boyfriend. That didn’t work out so well. I bounced around different homes, different relationships, writing all the while. An old friend died and I cried with my notebook in my lap, struggling to put the hurt into words so I could get some sort of handle on it–any handle would do, I just needed one.

I found it in the first few paragraphs of another novel–the infamous vampire novel, of course. Which, like the First Fantasy, will never see publication because it’s so sloppy and uneven. But my God, it felt good to write, and it felt good to bleed off some of the pressure of guilt and grief into the structure of a story.

I’ve gone through a marriage and a half since then, and the birth of two children. And several other life events. Writing has been there all the time–the friend that gives me strength to go on when I don’t think I can. The way of transforming the world to make it reasonable, or at least a little less scary.

A few Decembers ago I was in a bad car accident. (Twisty road, nighttime, a deer on its way home and me trying not to kill Bambi.) Hanging upside-down in the truck’s cab, one part of me was screaming in hysterical fear. The largest, Mommy-based part of me was calmly saying, first let’s get this seatbelt off and kick out a window.

Another part of me, the writer, was considering all of this and taking notes. So that’s what this feels like. Damn, it’s good material.

I was fairly calm, all things considered.

It all started with me and a notebook, the pen in my hand and my heart in my mouth, daring to do that most subversive of acts–tell my own story. To honestly and simply tell any story is an act of magic, an act of liberation. It is a lifering when you’re drowning, a way to scramble for higher ground when the water rises. It is sorcery, a way of remaking the world. I felt like a mutant when I was scribbling in those spiral-bound notebooks. Dangerous, lonely, and socially sneered-at–but with a secret power, a talent I could use for good or for evil, something I could do.

And each one of those words saved my life, over and over again. Each was a step up out of the abyss of believing myself worthless, a waste of skin and breath. Even today, each word, over and over, saves my life. It is a net when I’m falling, a rope when I’m drowning, a reminder to be calm when I’m in the middle of smashed metal and glass, smelling gasoline and being so scared I can barely breathe.

I once received a fan letter from a woman who rescues elderly cocker spaniels. She said that some of my books had given her hope, that sometimes when she was feeling down about the plight of these poor dogs abandoned by their owners she could read them and forget, or read them and get a little bit of hope. Just a tiny sprinkle.

I cried.

Because if writing can save my own life, and if it can give someone else a little bit of hope, then I consider it one of the greatest acts of magic I’m capable of. Getting paid for it is nice, sure–I have kids to feed, after all. But if something that saved my life can also give someone else a little bit of hope…that’s damn precious. If even one person feels the world is a better place because of this story I’ve told as well as I’m able, I consider my time on earth well-spent.

And that’s really all this writer asks for.

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