Author Archive
Writing Blocks, Fear & Resistance
Let’s talk about Writer’s Block.
It’s not a comfortable subject for writers – published or otherwise – because to not be able to write, for whatever reason, is so full of negative emotions as to feel agonising. Which sounds totally dramatic, but sometimes the worst case of ‘block’ really is that painful to those who suffer. Guilt, shame, self-hatred… all the biggies are there, and I’m sure a whole lot more. *shudders*
(On a very important side note here, no matter what your beliefs/theories are surrounding ‘Writer’s Block,’ there will always be someone who disagrees. Which is fine! Life is all about people having different views and different experiences. It would be pretty boring if it was any other way. However, it is the World’s Most Annoying and Hurtful Thing(tm) to make yourself vulnerable and to tell someone that you feel ‘blocked’ on your latest project, only to have that person breezily tell you, “There’s no such thing as writer’s block! I never get blocked. I don’t have time for it!” This is insensitive, and sometimes even damaging.)
I can only talk about my own experience and my own belief’s around the phenomenon known as ‘Writer’s Block’. If you, personally, believe in the power of something external to you that stops you from being able to write each and every time you face the blank page (or a stalled project), I am not saying any of the following to disrespect or devalue your own experience or definition of the much-used term. But for me, we aren’t talking about something mystical or outside of ourselves. My feelings around this complex subject – and my recent struggles with a form of ‘it’ – have led me to fully embrace the notion that writer’s block should always be written with a small ‘w’ and a small ‘b’. When we give those two little words Capital Letters of Doom, it seems more scary than it really should be. And certainly more significant.
So, in Kaz’s ever humble opinion (no laughing at the back, there!), what is writer’s block?
Basically, it’s something that comes from within you that stops you from writing. The part about it coming from inside you personally is crucial. If we turn it into something alien and external, then it’s far too easy to think: “Oh well, that means it’s out of my hands. There is nothing I can possibly do and will therefore have to simply watch reruns of The Vampire Diaries until my writing returns to me!” Which is not true – the part about not being able to do anything about it, I mean. Also, writing doesn’t ‘go’ anywhere. Not the way I see it, anyway. It’s still there, right inside you – you just have to dig around a bit in order to find it again.
What you can do, even if you can’t write, is try to figure out why you think you can’t write. Because, believe me, even when you truly believe you can’t do the work, you actually can. You can pick up a pen and write words. Any old words will do. They might not be very good words (they probably won’t be, to begin with), but there isn’t a mysterious power freezing you in place and physically stopping you from writing something down (a sentence! Just one little sentence…). Or typing a line. Writing the words: “Chapter One.” If you really were blocked, this should be impossible… right? Especially if you’re capital-B-Blocked.
But, still. You feel as though you can’t write. I’ve been there. (Oh, how I’ve been there… very recently.) So first try to figure out why you can’t write:
Are you bored with your project?
Uninspired?
Worried that you’re repeating what’s already been done a million times before?
Did you go wrong somewhere, in an earlier chapter, and now you’ve ground to a halt?
Do you have to feed the kids and help with homework before you can write, and then when you finally get half an hour to yourself… you feel half-dead and hopeless?
Are you just too tired?
Too distracted?
Too lazy?
Too hungry?
All of these things – and many, many more – could be, and probably are, at the root of your stuckness. Steven Pressfield, in his famous book The War of Art spends most of its pages talking about Resistance (note the capital-R). And, you know, he’s not wrong. Most of our blocks and stuck places around our creative work do stem from us simply resisting the work. But it’s in the knowing WHY that I think is important. Because, once we know that, we might be able to fix it – maybe even fix it easily.
Sometimes, we get stuck because we introduced a character too early in our novel; started the story in the wrong place entirely; or maybe because we’re writing in the wrong POV. We might not know our world well enough and need to do more brainstorming and research, or any number of other practical, concrete reasons. These are mostly things we can address and fix, sometimes with the help of others.
But quite often it’s a more emotional and psychological problem holding us back, and that all boils down to one thing:
FEAR
But, guess what? Writing is scary. Making yourself vulnerable on the page, letting others read your words and judge your dreams… putting yourself out there is just damn hard. And then the Fear Monkey sits on your shoulder and whispers in your ear, and that’s pretty much the end of that. At least for one day (and if you only lose a single day’s work to the Fear Monkey, believe me, you can consider yourself lucky).
As cute as it is, you really don’t need that little monkey around. Most of the time, when I’m writing, I actally feel like that baby monkey, wanting my mum to give me a hug and tell me that everything is going to be okay. (What? Don’t mock my pain…
) But, even though she’s on the end of the phone and is very good with TLC-on-demand (that should be a new TV channel!), when we finally face our writing – our creative work – we’re on our own. Writing is a party of one. Um… unless we’re collaborating. Heh. We have to figure out the fear at the heart of our particular ‘stuck place,’ and then get to work on kicking its ass! And the best way to do that is to put your own ass in the chair and continue to write through the block, no matter how painful and no matter how much crap you end up throwing away later on.
That’s what I did, and I ended up throwing out a lot. A lot of hard work and hard-earned words. But I finally figured out what was at the root of my individual fear – on this occasion – and managed to put the Fear Monkey back in its box. For now.
I hope you can too…
P.S. One of the best books on the subject that I’ve ever read is, sadly, currently out of print: On Writer’s Block: A New Approach to Creativity by Victoria Nelson. I do recommend it if you can find a copy. Nelson spends a lot of time talking about how taking a break from writing is often a natural and normal thing, although of course professional deadlines do change our ability to put her wisdom into practice!
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2012: Goals & Dreams
Hello lovely Dames readers, and a very Happy New Year to you from all of us!
Are you sick of talking about the whole New Year thing, yet? Tired of resolutions and goals? Well… I’m truly sorry about that, but as it is a brand new year, these things have to be discussed. By me, at least. *g* After all, 2012 is upon us and that means it is (for many people) a time to take stock of where we are and where we want to be. Where we’re going. What we have or haven’t achieved. The steps we still have to complete in order to reach those all-important goals.

And dreams, too, are important. Goals and dreams are very different things. They can be connected to each other, but at heart they are separate entities. A goal is something that is within our control, to a greater or lesser extent. A dream, on the other hand, is something much bigger (at least, that’s the way I see it), and isn’t necessarily completely within our own power. For example: “I want to finish writing a novel in 2012.” That’s definitely a specific, time-bound goal. Finish book. Within a year. But: “I want to sign with a top agent,” is a dream that may not work out in your favour. We can write the best manuscript possible, add to that a fabulous query letter, and then query lots of great agents… but we’re not guaranteed the end result of signing a contract with an agent. That part is out of our control. Still, I believe you can set the best possible conditions for your dream to manifest – put all the pieces in place, and who knows where you could end up?

I am a great believer in dreams. (What a surprise, for those that know me.
) For me, they’re what keeps us human beings going. You gotta have dreams! We can set goals that move us closer to our dreams, and then we finally get to a place where we just have to let go and hope that the Universe will take a step toward us and help make that Dream come true. And sometimes? Sometimes we discover, in the process, that the dream we were focused on was the wrong dream. The journey proves to be the important thing, and we end up finding something else entirely – something equally as wonderful, or maybe even better!
But none of this would be possible without setting those smaller goals and dreaming the bigger dreams in the first place. Right?
D=edication
R=esponsibility
E=ducation
A=ttitude
M=otivation
And always remember:
So, tell us some of your goals and dreams for 2012 in comments. We’re listening! Maybe some of the other Dames will join in if I nudge them…
Here’s one each of mine to get us started:
Dream: sell an adult urban fantasy to a NY publisher.
Goal: finish my romantic urban fantasy manuscript and send to Dame Agent.
Now it’s your turn: go!
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Images © Marek Uliasz | Dreamstime.com
Winners! & a snippet
First of all, my apologies for not posting the winners of the Why Do You Do It? (i.e. why do you write or read) giveaway. As some of you know I’ve not been too well, and am only now beginning to play catch-up with my deadlines. And everything else! Thanks for your patience, and I’m really sorry to make you wait so long.
So, the two winners are:
Irene!
Who said:
Oh wow, those are brilliant reasons, some of which I’d never thought of before.
I guess I write because I have to–I have to write down these crazy things I think up, because otherwise I would go crazy. Like you said, I need to know what happens next, and I also want to create something as awesome as the stories I read. Writing is how I make sense of the world sometimes, and not doing it would result in me stumbling aimlessly and confusedly through the streets.
Well, okay, maybe not, but I wouldn’t be a very happy person if I didn’t write.
And…
Colleen!
Who said:
I read because I HAVE TO!! I can’t stop, I can’t not, I must! I am lost with out something, anything to read. I need to read. My eyes get oh so tired and heavy and I have to work at O’dark thirty in the morning and I tell myself.. “one more page, just one more page”
I’m glad that the random number generator picked out one writer and one reader, which seems only fair. Irene and Colleen, please email me directly (writerkaz AT gmail DOT com) and let me know your full name, mailing address, and whether you’d like me to send you a signed UK edition of The Iron Witch – or a signed copy of A Visitor’s Guide To Mystic Falls. I’d also like to say a HUGE thank you to everyone who commented. I loved reading all of your responses, I really did.
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At the moment I’m juggling a lot of work on different projects, and one of the big ones is a draft of The Stone Demon – the third and final book in The Iron Witch trilogy. When I say “a draft,” I mean something that actually has a beginning, middle and end that my editor can make sense of.
It always feels strange to be working so far ahead of schedule, especially as Book Two (The Wood Queen) isn’t even out yet! However, I did sort of realise that The Wood Queen will be arriving in stores pretty soon. *collapses with nerves* It only feels like yesterday that my debut novel was released into the world, but already that was almost a year ago. Time – I mean, how fast it seems to move – can be a truly scary thing. Anyway, in honour of The Wood Queen being pubished in just under two months (eek!), here’s a non-spoilery snippet. I’ve been asked a few times lately for a glimpse of some romance, so I hope you enjoy it…
“I don’t want to talk, Xan,” she said, hearing her voice as though it came from somewhere very far away. “I’m sick of talking.”
As she said the words, she knew it was true. Talking at the trial. Talking to Navin. Talking to her aunt.
It was all just noise and she’d had enough.
“Okay.” There was no hesitation from him. “Whatever you need.”
Donna reached for Xan, conscious of how the flickering firelight caused her tattoos to glimmer and flash.
He pulled her into his arms and stroked her hair. He murmured nonsense in her ear and pressed her hard against the warmth of his body.
She waited for a moment, letting him offer much needed comfort and basking in the intense heat that poured off him, reminding her again that he was other. If he were fully human, there was no way he would be that warm—not unless he was running a fever.
She lifted her head, knowing exactly what she was doing. She wanted to forget. Her whole being cried out for oblivion, but she’d never been someone who turned to drinking or drugs. She’d been taught too much about self-control over the years, due to the need to control her strength. Super-human strength on alcohol wasn’t a pretty prospect.
Donna was sick of control. She wanted to let go—just this once—and be truly free.
So she kissed Xan, knowing that he wouldn’t kiss her unless she made the first move. Not at a time like this; not when she was clearly devastated, even though he didn’t understand why. He was too much of a good guy to take advantage of her pain and confusion. But luckily for her, she thought with a wicked grin that seemed to come from nowhere, he wasn’t too good.
There was no hesitation from him. Xan moved warm hands to her face, his long fingers trailing fire as he explored her mouth with his.
They had only really kissed once before. The night after they’d told each other their stories in Mildred’s café, they’d shared a real kiss just outside Ironbridge Common. It had been new and exciting and filled with promise. But this … this was so much more.
Donna felt something open in her chest, like a bud unfurling in the face of the sun. She felt herself slowly coming alive under Xan’s touch.
Then he pulled away, and Donna grumbled at the loss of his warmth. He held her at arm’s length, and she couldn’t help being pleased to see how much he was struggling to control his breathing.
And she could relate—the guy knew how to kiss. She tried not to think about all the other things he undoubtedly knew how to do, or all the other girls he might have done them with. He was way more experienced than she was, and she was worried that would show.
“Donna, wait, we shouldn’t—”
She cut him off by pulling free of his grip and placing the unmarked palms of her hands on either side of his face. “Shhh. I don’t want to talk. I already told you that.”
“Tell me what happened.”
She shook her head. “Kiss me again.”
Xan frowned, but she could tell he was torn. “I don’t want you to do something you’ll regret. You’re upset … ” His voice faded as she traced the fine lines of his cheekbones and stroked his caramel-colored hair back from his forehead.
“I’ll be more upset if you don’t shut up and kiss me.”
Donna could hardly believe what she was saying; it was like a different person was emerging from a dark cocoon. She’d been buttoned up so tight for so long, and it was incredibly liberating to be wild.
If only for one night.
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The Wood Queen by Karen Mahoney
Why Do You Do It?
Why do you write?
People ask me that all the time, seriously. Sometimes I think they even want to know the answer. “But… why?” they ask me. Why do you sit there, day after day, hour after hour, putting one word after another until you reach the end? Deleting, revising, rewriting, deleting… “You don’t seem very happy about it, half the time, so why?”
Why, why, WHY?
Why do you do it?
Here’s what I reply:
Because I want to know what happens next… Because I love it… I hate it… No, I do love it… Because I don’t think I’m any good at anything else… Because I want to get better at it… For the satisfaction of typing ‘The End’… Because my brain insists on spinning stories and all my fingers can do is hurry to write them down… Because it feels good, even when it’s hard… For the fame and fortune (ha!)… Because I can’t imagine doing anything else… Because it keeps me sane… Because it drives me crazy… For that one shining, perfect sentence (that doesn’t even exist)… Because I love asking “What if..?”… Because I have to… To dream on the page… To discover the answer to questions I didn’t even know I wanted to ask… Because I need to know the truth… Because I’m afraid of the truth… For love… Because I hate, and I don’t know how to express that except in my writing… Because my life would be empty without it… For the sheer, unadulterated joy of creating… Because it’s what I was born to do… To stick two fingers up at all the people who told me I would fail… Because I’m petty… Because I am so expansive that whole worlds reside in my heart… Because I want to share my passion with everybody who will listen (or read)… For the child in me who will never grow up… For the adult I have become who still dreams… Because writing breaks me down and builds me up, all at the same time… Because writing is breathing… For all the people who love books as much as I do… Because stories are our greatest gift…
So I can find out what’s behind the green door.
Why do you do it?
I really want to know. Why do you write? I’ll draw TWO names (randomly) next week and send each winner a signed UK edition of The Iron Witch – or a signed copy of A Visitor’s Guide To Mystic Falls (Your Favorite Authors on The Vampire Diaries), if you’d prefer that.

Giveaway is open to all, no matter where you live etc. etc.
If you don’t write, fear not! You can still enter by telling me why you read…
Oh, Take Me Back To The Start

Dame Kaz
Happy Halloween!
I’m sorry to say that this fun picture is about as much ‘Halloween’ as I can offer you today – I’m on a deadline! They don’t call us Deadline Dames for nothing…
But I do have a writing question from a lovely reader (*waves to Isabel*) who’s been emailing with me recently – and she’s been very patient over my ridiculously late replies, I might add. Here’s what she asked me:
How do you start a story? I’ve got all these ideas floating around in my head, but in my head, they always start sort of right in the middle, with minuscule amounts of dialog, setting, etc, so when I try to get them down on paper, I always have issues with coming up with a good enough hook to pull readers in. If you could offer any advice, I would be so grateful.
Thanks again,
Isabel L.
It’s such a great question that I asked Isabel if she’d mind me replying either here or on my own blog. Maybe by blogging the answer a few other people could benefit… (or not. I don’t think I’ll make much sense today!) First of all, I have to make the usual disclaimer: I am still pretty near the beginning of this whole Writing For Publication gig, and sometimes I wonder if I even know what I’m doing – let alone whether or not I’m ‘qualified’ to give advice. But what I can do is to offer up things that work for me – my own thoughts on writing craft and process – as well as share the wisdom and experience of other authors (I read a lot of stuff about writing – I still love doing that).
Remember that what works for one person won’t always work for you. Also, what works for one project, might suddenly not work out so well for the next one. Not only is every writer unique – each writing project has its own distinct ‘personality,’ too.
The thing with beginnings is this: there are just so many different ways to do it.
Seriously, although it’s a great question to ask, it’s almost impossible to answer simply. Or at all.
I think the start of your story should suit the story you want to tell. There’s no one-size-fits-all formula for writing the beginning of any work of fiction. So a slam-bang action scene might work for a thriller or action-heavy novel, but a more quiet, scene-setting opening could suit an introspective work of literary fiction. Do you see what I mean?
It really depends on so many different factors. Who you are as a writer (your voice or style). What genre you’re writing in. What effects you’re going for with this particular opening. Whether or not you want to conform to genre expectations – or defy them.
You say in your question:
..in my head, they always start sort of right in the middle, with minuscule amounts of dialog, setting, etc, so when I try to get them down on paper, I always have issues with coming up with a good enough hook to pull readers in.
This actually makes me think your beginnings are already pretty good! Starting ‘right in the middle’ is something that a lot of writers believe in: start with action, when the story is already in full flow, and then go back to fill in backstory a bit later. Look at the first line of Dame Rachel’s debut novel (a great book with a fab opening line):
The moment the door opened I knew an ass-kicking was inevitable. Whether I’d be giving it or receiving it was still a bit of a mystery.

STRAY, Rachel Vincent (2007) – I love this book!
We have no idea who is telling the story – who is speaking to us – but don’t you want to know who she is, just from that? Don’t you want to know who’s going to get their ass kicked?! ![]()
We can see from stories like these that there is certainly a good case to be made for starting your book with a character in action, perhaps about to make a big decision or about to embark on a new direction in life. It doesn’t have to be action of the ass-kicking variety! Although that’s always totally fun to do. Heh.
I could sit here typing out my favourite openings forever, but that would spoil the fun of you going out there and discovering them for yourself. In my (very humble) opinion, the best way to learn how to begin your novel includes at least some of the following:
1) Read as much as you possibly can. In all genres – not just the one(s) you want to write in.
2) Write down the opening paragraphs that you love in a beautiful notebook. Re-read them and think about what makes them work so well. Ask yourself why you love them. Ask: What was the author trying to do here, by opening the novel in this place or in that way?
3) Write as much of your own fiction as you possibly can. Try not to stress too much over the quality of the opening until later on.
4) Read, read, and READ some more! (I know, I already said that. *g*)
Some writers need the perfect opening before they can write the story or novel, at all. They literally can’t get started without that in place. If that’s what works for you, that’s fine! But there are also those who write an ‘okay’ first line – something that will just get them started – knowing that they’ll be changing the whole first chapter (or more!) when it comes to revisions. Nothing you write is set in stone. You can change everything – including the beginning of your story.
Here’s a tip I learned from reading about the art of writing movie screenplays: try thinking of the beginning and the end of your book as linked. If you know – however roughly – how you want your story to end (and you may not, which is totally cool), you may be able to figure out the perfect beginning from there. There should be a sense of coming ‘full circle’ in your story, so that by the time the reader finishes the book they sit back fully satisfied – whether it had a happy ending or not. They should think: “Wow, that feels like the right ending.”
There might be echoes of the beginning in your ending, so look at the two together and see if that helps you to figure out the best place to start. If, as I often find, you haven’t got a clue how your story is going to end (maybe you don’t like to plan too much – again, there’s no right or wrong way to do this writing thing, just the way that works for you!), then don’t worry so much about getting the ‘perfect’ opening. You may only find it once you’ve finally reached ‘The End’ and everything falls into place. Then, during the revision/rewriting process, you can go back to the start and write the beginning that feels right.
That line (‘back to the start’) makes me think about Coldplay’s beautiful song with its haunting video, which I’ll leave you with today. The video perfectly depicts how the beginning of a story can flow from the end…
I really hope that at least some of my rambling helped you. Thanks again for the question, Isabel. Happy writing, to you and everybody reading this. Good luck if you’re doing NaNoWriMo or KazNoWriMo! ![]()
The Scientist – Coldplay
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